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They also deserve press coverage

It has become a joke in local show biz—a film suddenly being shown in movie houses without so much as a word about it and its content, or its cast, or its director, to inform viewers and stir their interest. When a producer screens a film without the necessary drum-beating, the biz is abuzz with...

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How will the Metro film festival set in April fare?

The Metro Manila Development Authority (MMDA), the government agency that organizes the annual Metro Manila Film Festival (MMFF) in December, has no qualms about green-lighting the staging of the event this summer. With health protocols eased as coronavirus cases decline, the first Summer Metro Manila Film Festival (SMMFF) has been scheduled for April 8-18 by...

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Politics, sex cinema, deaths stirred Philippine show biz in 2022

Up to the end, the Year of the Tiger has been a period of growling events and pulsating newsmakers in Philippine show biz—some wild, some victorious, some tragic. Seemingly like the tiger, the media-savvy stars were contradictory in behavior: intimidatingly fearsome yet warm-hearted, temperamental yet calm. The coronavirus in all its mutations is very much...

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Triangle of excellence in acting

Thirty-two years after West End brought Filipino musical theater talent to the international stage in a major way via “Miss Saigon,” the European movie industry, with Hollywood connections, is finally catching up: It’s putting Philippine-born, -raised, and -based actors on the world cinema map with lead roles in high-profile films. And just like Lea Salonga,...

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Gawad Urian fulfills its social responsibility

More than being just another award-giving group in the film industry, the Manunuri ng Pelikulang Pilipino (Manunuri) is a corps of critics who review and recommend films for their commercial, artistic values and it’s social responsibility to serve the best interest of Filipino moviegoers. Since it was established in 1976, the Manunuri has changed shallow...

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Always and ever: the Nora Aunor mystique

Does Adolf Alix Jr.’s “Kontrabida (The Villain)” winning a Netpac (Network in the Promotion of Asian Cinema) Award for Best Asian Film) at the 6th HIFF (Hanoi International Film Festival) held in Vietnam early this month still merit attention? Of course. Not only is “Kontrabida,” the Philippines’ entry in the festival, directed by a prolific and...

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A Spanish film for Filipino workers to watch

Young Critics Circle member Nonoy Lauzon was right: The 2021 Spanish film “El Buen Patron” (The Good Boss), directed by Fernando Leon de Aranoa, should be shown and viewed by Filipino employees in all workplaces. Lauzon said as much in Filipino after seeing the movie at the opening last Oct. 5 of the 21st Pelicula...

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Korean megahit film producer says ban on censorship is key to success

With the worldwide success of the “Korean wave” or hallyu, the Korean entertainment industry is now regarded as one of the most prominent, productive and moneymaking enterprises on the planet.  Korean cinema already conquered the world market in 2016, when “Train to Busan” made a killing at global box offices. In 2019, “Parasite” won the...

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Filming in the boondocks on a shoestring budget

The short documentary was supposed to be about the indigenous language of the Aeta in the remote, hilly village of Villa Espina in Lopez, Quezon (boondocks). It was my intended entry to the 2022 Kota Kinabalu International Film Festival (KKIFF) in Sabah, Malaysia, on Sept. 17-25. But a tight production schedule and a looming deadline...

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The militancy in/of Jay Altarejos

It’s not every day that one encounters a militancy in/of a filmmaker like Joselito “Jay” Altarejos. Local show business isn’t traditionally and usually attuned to or associated with activism, political or otherwise; it’s more known for glitz and glam, if not gossip. Anything of the hoi polloi, the great unwashed, and being combative, truthful and...