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Portraits in Jazz: Everybody loves Rey Vinoya

(Seventh of a series) When this series started in March, drummer Rey Vinoya put himself at a distance from deadline in a mix of hesitation and bemusement. Without declining outright to be profiled, he proposed what he believed was the farthest possible date from March: “September!” he said, beaming, when I asked him in April...

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Portraits in Jazz: Tago is Nelson Gonzales’ happy madness

Little surprise that the confluence of Ghost Month and Mercury retrograde dredges up the unlikeliest memories.  It was typhoon season in 2012 when we found ourselves at the newly opened Tago waiting for the downpour to subside after an ill-timed meetup with a handful of friends ran well into the night. Two things stood out...

OPM artists to hold benefit show for Coritha
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OPM artists to hold benefit show for Coritha

Singers and musicians are set to hold a fundraising gig on Monday, Aug. 5, for retired folk singer and OPM (Original Pilipino Music) legend Coritha, who has suffered a stroke that left her paralyzed and bedridden in her home in Tagaytay City. “Awit Para Kay Coritha” will start at 7 p.m. at My Brother’s Mustache...

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American jazz legend Count Basie lives on in Italian city

Seven years ago, I embarked on a different course in my career as a jazz guitarist. From “land-based” gigs at Tago Jazz Café, Manila Peninsula, and the Philippine International Jazz & Arts Festival, I began playing aboard cruise liners.  My first seaborne experience was in 2017, on the ship Seabourn of Holland America Line. Among...

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Portraits in Jazz: Ronald Tomas, homeland and music

Second of a series “I just want to play,” says Ronald Tomas, band leader, arranger, composer, singer, and saxophonist—arguably one of the busiest musicians today who cross over jazz, R&B/ funk/rock/soul, and pop jazz stages with enviable ease, the sort for whom music is air and water.  Ronald grew up in Pangasinan swaddled by music:...

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Portraits in Jazz: Tots Tolentino in the cool of the moment

(First of a series) EDITOR’S NOTE: With this piece, Jocelyn de Jesus starts a series of portraits resulting from conversations with stellar Filipino jazz practitioners—“in full bloom in their 60s and 70s,” she says, and “changing the game one gig at a time.”     Mario “Tots” Tolentino’s household-name status in contemporary Philippine music is undisputed, having...