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Being Filipino as the most natural thing to do

Isabel Padua Grant’s home in Nottingham, like many other English homes, has a traditional English garden.  But the living room of that home, at the time when her British-Filipino children were growing up, had marks of the tropics, like native baskets, tribal figures, wood carvings. It was definitely not a traditional English home. From her...

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Sanso’s Brittany is a show of friendships, gratitude

France’s Brittany has inspired many artists like Paul Gauguin, Macario Vitalis and The Nabis painters, but none could possibly be as inextricably linked to the long, rugged coastline of its northernmost region as Juvenal Sanso.   For Sanso, a world-renowned painter who was born in Spain but made the Philippines his adoptive country, Brittany is more...

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Savoring the last morsel (as though on ‘Pakaskas’)

How does one desperately savor the last morsel when our planet stands on the brink of global disaster? But do not we savor the morsel on the pretext of absolute disappearance of plenitude? Is the savoring of a morsel always portentous to the irretrievable end of wealth, fertility, and resources?  Savoring the last morsel of...

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‘Mula sa Buwan’: In the spirit of defiance

When “Mula sa Buwan” returns on Aug. 26 at Samsung Performing Arts Theater in Circuit Makati, it will not be the same creature that played to packed houses every performance four years ago.  In turning Edmond Rostand’s “Cyrano de Bergerac” and Francisco “Soc” Rodrigo’s Filipino translation of that play into a musical, director and co-creator...

‘A sharp bite in its unassuming quiet’
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‘A sharp bite in its unassuming quiet’

“Moon Hanging Low Over My Window and Other Poems,” a book of poetry written by Babeth Lolarga and published by UST Publishing House, will be available for pre-orders starting Aug. 1.  Readers who will pre-order via Shopee will get the title for a special price of ₱520. The pre-order link will be made available when the...

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Cinemalaya: back with a vengeance

Through the years since 2005, the Cinemalaya festival, a project of the Cultural Center of the Philippines (CCP), has been providing the more discerning moviegoers—many of them young people—some memorable films. During that first year, one of the independently produced  movies in the full-length category was “Ang Pagdadalaga ni Maximo Oliveros.” It did not win...