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Portraits in Jazz: The joys of being Junji Delfino

(Twenty-seventh of a series) Junji Delfino was singing before she could remember not singing—at 4 years old, already finding melodies, and by 10, slipping into Manila’s jazz clubs with a father who wouldn’t have known how to keep her away even if he tried.  Before she even turned 10, Junji recalls, her father Bert Delfino...

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‘Ang Babae Sa Septic Tank 4’ confronts Philippine theater

Film and theater operate on fundamentally different contracts with their audiences. Cinema is more controlled: It is edited, color-graded, scored, and packaged for the screen. Theater, on the other hand, refuses all of that: It is raw, immediate, unrepeatable, and alive in ways that no camera can fully simulate or contain.  For “Ang Babae Sa...

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Peta unveils lead cast of ‘Ang Babae Sa Septic Tank 4’

Eugene Domingo returns as a gloriously amplified version of herself—navigating ego, ambition, and the beautiful absurdity of mounting a live show–in “Ang Babae Sa Septic Tank 4: Oh Sh*t! It’s Live Sa Cheter!” The Philippine Educational Theater Association (Peta) officially announced on Thursday, Feb. 26, the headlining cast led by Domingo of its upcoming production,...