‘Silkscreen’ bags Best Short Film award at Cinemalaya 2026

The production team of “Silkscreen” —CONTRIBUTED PHOTO
The production team of “Silkscreen” —CONTRIBUTED PHOTO

A testament to the dignity of manual craft and the delicate threads of familial legacy in an era dominated by rapid digital automation earned the coveted Best Short Film award at the 22nd Cinemalaya Philippine Independent Film Festival.

A Dipolog/Dumaguete short film, “Silkscreen” is Rey Anthony Villaverde’s second appearance on the festival’s stage, after his 2024 comedy “Ambot Wa Ko Kabalo Unsay I-Title Ani.”

Starring Justine Lawrence Lopez along with Nonoy Barbaso and Mariel Barbaso, “Silkscreen” follows Roy, a young printer racing against time to keep his family’s worn-out shop afloat amid a mountain of orders. As he struggles to keep the business alive, he is forced to confront the quiet distance between himself and his aging father, the shop’s original owner. 

The Cinemalaya jury praised the short film for “its textured cinematography, precise color grading, and meticulous sound design: for brilliantly capturing the tangible, tactile world of a fading craft; for its emotionally resonant story of legacy and reconciliation, beautifully balancing the silent tension and tender affection between a struggling son and his aging father as they navigate time, family, and changing times.”

For Villaverde, a native of Zamboanga del Norte and a political science major at Silliman University, the story is rooted in personal experience. “I grew up surrounded by our family’s printing business, which became the backdrop of my childhood and shaped who I am today. The smell of ink, the noise of machines, and T-shirts coming out fresh and wet with color were part of everyday life. It taught me early on that hard work leaves a mark, and so does legacy,” he says, adding:

“But beyond a personal story, this film is also about a disappearing world. In a time when everything is becoming fast, digital, and automated through technology and algorithms, manual crafts are slowly being pushed aside. Traditional arts, the kind built on patience, skill, and sweat, are being replaced or forgotten.” 

Villaverde directed, wrote, edited and co-produced the film. He got ample support from cinematographer El-El Barinaga; production designer Filamie Sami; musical scorer Emmanuel Jaboneta; sound designers Nowell Teves, Anthony Silva and Angelito Linogo; colorist Joe Nico Ebora; executive producer Rey S. Villaverde; co-producer Catherine T. Villaverde; co-producers Cham Guevarra and Derek Pulliam; assistant director Mariel Barbaso; and creative producer and script consultant Zig Dulay.

“Silkscreen” will next compete as part of Lumayagan Shorts of the 6th Oroquieta Film Festival in Misamis Occidental on Oct. 12-15. CONTRIBUTED