Where does history end and myth begin? How does memory, individual and collective, influence and possibly correct the narration of a people’s history? These questions are doubly important today, in an era when social media and other digital platforms tend to lump the critical verification of facts with unthinking chismis (gossip). Tanghalang Pilipino’s latest production,...
Tag: theater
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The exactness of Agnes
The rehearsal hall turns tense and the dancers stand still as Agnes Locsin critiques their execution of the steps. She slowly rises, touching her abdomen as she points to the exact spot where—and how—they must lift in order to deliver the right intensity and angle that the step requires. It’s clear that she has mastered...
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‘Mula sa Buwan’ switches its focus from past to future
It’s easy to get “Cyrano de Bergerac” wrong. If you overstate its romance and its inherently ridiculous premise, this story of a cartoonishly long-nosed soldier helping a young cadet woo the woman they both love can come off as frivolous. To an extent, this is how I felt about the 2016 production of “Mula sa...
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Live theater, digital interaction educate teens on drinking issue
Filipinos consume an average of seven liters of alcohol every year, according to the World Population Review. While that might appear manageable to many, the Philippine College of Physicians recently presented numbers sufficient to give Filipino parents a nightmare: About 70% of students had their first taste of alcohol at age 14, and many of...
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The extraordinary Cherie Gil
Cherie Gil came across in varying ways—imperious and intimidating; funny, warm and open; beguiling and sexy. Writing this, thinking about her and my time with her, I realize I probably really knew only one facet of a woman I love dearly and hold in great esteem. I’m certain her family, her barkada (the women—and man—who I fondly...
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‘Mula sa Buwan’: In the spirit of defiance
When “Mula sa Buwan” returns on Aug. 26 at Samsung Performing Arts Theater in Circuit Makati, it will not be the same creature that played to packed houses every performance four years ago. In turning Edmond Rostand’s “Cyrano de Bergerac” and Francisco “Soc” Rodrigo’s Filipino translation of that play into a musical, director and co-creator...
